Light Rail Station Model
Note: Click images for larger images.
The concepts used for this model were "architecture as a stage" and "less is more". Planes and slabs are employed to act as a "stage" for incoming trams and passengers. Additionally, the use of prism based geometry, and its articulation, corresponds to Mies van der Rohe's architecture and his idea of less being more.
Combining the two concepts, the station was thoughtfully integrated into its context. Access from the UNSW campus is clear and direct. Moreover, an overpass structure is used so that the traffic flow of the Anzac Parade is not disrupted whilst offering pedestrians safe crossing.
Studio Gang's Writer's Theatre was referenced as an example on how to seamlessly integrate steps into the architecture whilst maintaining fluidity and space. Additionally, the modern slab-like steps are influenced by the steps at Rohe's Crown Hall.
The textures selected possess rigid patterns with clear directional pull to highlight themes of verticality and horizontality. Furthermore, the influence of the Crown Hall, with its mullions/ribs, is again evident above.
As evident, themes of flow and space from Studio Gang, as well as their talent in creating overhead structures, were studied for this design. The station comfortably fits itself onto the Anzac Parade, encouraging directional flow through the structure and along the main road fronting the campus.
Indeed, this station is strongly influenced by Mies van der Rohe. In particular, inspired by the Barcelona Pavilion and the Farnsworth House. Here, large horizontal planes/slabs are supported by rectangular columns, emphasizing planar themes and establishing the station's horizontal and vertical elements. Consequently, ideas of space and volume are also explored through this design. Lastly, materiality is explored through the use of light materials with darker/denser materials.
Selected Textures
(Light)
(Medium)
(Dark)
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